“Wet Cyanotype Printing”
Instructor - Janet Bernardini
This is a one-day workshop.
Date: Saturday, June 6th, 2026 (Rain date June 13th)
Time: 11:00 AM - 3:00 PM
Tuition Fee with Credit Card: $125.00 Members; $140.00 Non-Members
Tuition Fee with Check or Cash: $120.00 Members; $135.00 Non-Members
If you prefer to pay by check, please notify the Art League by email in order for us to hold your spot, make check payable to Art League of Daytona Beach and mail to 433 S. Palmetto Avenue, Daytona Beach, FL 32114 along with a completed registration form or you may drop off at the Art League during our gallery hours. For registration form click HERE.
Payment in full is required before the workshop begins.
Registration ends Tuesday, June 2nd
Cancellations must be made at least one week before the first day of class in order to receive a refund.
Workshop Description (Limited to 6 students)
Traditional cyanotype is an alternative photographic process that produces beautiful Prussian blue prints. Cyanotype printing is an enjoyable method to create photo prints using sunlight and light sensitized papers. The process is simple and safe, limited only by your creative spirit. The prints are beautiful on their own but are often worked into using mixed media such as pens, pastels, and inks.
In this workshop we will use botanical clippings and other flat translucent objects as subjects. The workshop includes all material and is for anyone with or without prior experience.
All supplies are included in cost of tuition.
For questions please contact Janet Bernardini at jlbern@mac.com or you may contact the Art League at 386-947-7103.
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Student Samples
BIO: Janet is an award-winning photographer renowned for her botanical and still life imagery. Her work captures the intricate beauty and subtle narratives found in natural elements. Born in Illinois, she earned her BFA before embarking on a distinguished thirty-five-year career teaching art and photography. Her photographs have been exhibited in museums and galleries nationwide and are included in numerous private collections. Constantly evolving, Janet creates her prints using a diverse array of cameras—including SLR, twin-lens reflex, pinhole, mirrorless, and cell phones—and explores both traditional and alternative photographic processes.
